The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle 第６章 サークル Some of the free music that was being played [in the sixties] was not just a need to break rules to try new things, but it w…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…
As time went by, Altschul would listen closely to the sounds of the city, the rising and falling of the sounds of the industrial era: 時を重なるうちに、バリー・アルトシュルが耳を傾けるようになったのが、街の音、ビジネスや産業の盛んな地域で…
Becoming a Trio トリオができ上がってゆく To form the kind of acoustic trio they had in mind, Holland and Corea needed to identify the right drummer. Corea relates: “We decided that we would like a drummer that could roll with the free form…
Meanwhile, Downstairs in Corea's and Holland's Lofts ... 一方、チック・コリアとデイヴ・ホランドの居たロフトの1階では… The jam sessions in Dave Liebman's loft overlapped in time with Chick Corea and Dave Holland's duets in Corea's loft down…
Liebman and his circle were profoundly influenced by John Coltrane's landmark collective improvisational work from 1965: “We played completely free in the language of [Coltrane's] Ascension,” the probing, expressive, and at times fiery mus…
Chelsea as a Home for Jazz Musicians. ジャズ・ミュージシャン達の拠点としてのチェルシー The neighborhood of Chelsea, between Fourteenth and Twenty-Ninth Streets on the West Side of Manhattan, was an unanticipated home for jazz or other crea…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 4 Interlude 第４章 Musical Rumblings in Chelsea チェルシー：多くの音楽が行き交う The Chick Corea - Dave Holland - Jack DeJohnette trio within Miles D…
MEV's Impact ムジカ・エレットロニカ・ヴィヴァの与えた影響 While this configuration of MEV never performed together again, Anthony Braxton and Richard Teitelbaum's musical partnership has continued to this day. Braxton's participation in ME…
First Stop: The Brooklyn Academy of Music 最初の公演地：ブルックリン音楽アカデミー The MEV tour was organized by Saul Gottlieb, director of the Radical Theatre Repertory. It was planned around four or five gigs, the fruit of letter writing…
Foreword by Geoff Dyer 前書き ジェフ・ダイアー Duke Ellington died on 24 May 1974. Within days Miles Davis had recorded a tribute, “He Loved Him Madly” (alluding, of course, to Ellington's “Love You Madly"). Across the Atlantic, the poet P…
Joining Musica Elettronica Viva ムジカ・エレットリカ・ヴィヴァへの参加 Situated in New York City, Anthony Braxton was adrift. Kunle Mwanga, the entrepreneur who had introduced Braxton and Leroy Jenkins to Ornette Coleman in Paris (but who …
Mozart If I'm working on Mozart and, over 20 years, Dennis Russell Davies and I learn more and more about each other and how we work together and that we have no work habits that conflict and that the way we relate to Mozart isn't wrong fo…
Bach Correct playing has nothing to do with disputes over style. The first thing to consider is if there's music being made. I can find my release in other fields - I can get music out in so many other ways, and I don't feel I have to make…
Braxton in New York ニューヨークでのブラクストン Although Paris afforded better performance opportunities than Chicago, Braxton decided to return to the United States in late 1969. While returning home might literally mean Chicago, New Yor…
Interdisciplinary Activities I started as a classical pianist, the way all so-called legitimate kids playing the piano start. I was a “crossover” artist when I made my first jazz album. Now I'm living in both worlds, but I keep them separa…
Gurdjieff's Sacred Hymns This was the most appropriate thing for me to record at the time, given that I knew more about it than just the music and also given that I was asked by a member of the London group whether I would do it or not. Th…
Hymns/Spheres / Invocations If I could call everything I did “Hymn” I would, because that's what they are when they're correct. 22 【from The Keith Jarrett Archive June 1984】 Art Lange: You’ve titled a lot of pieces “Hymn,” even though th…
Braxton Meets Musica Elettronica Viva in Belgium ブラクストンとムジカ・エレットロニカ・ヴィヴァとの出会い（ベルギーにて） During the summer of 1969, as Miles Davis was preparing to record Bitches Brew and American rock fans were flocking t…
beat（ビート）、groove（グルーヴ）、vamp（ヴァンプ）を、ネイティブがどう使っているか、次の例文を御覧ください。 ■A groove is a coordination of different rhythms. グルーヴ、とは、異なる複数のリズムが調和を保っている状態のことをいいます。 （…
Jarrett/Peacock/DeJohnette ジャレット／ピーコック／ディジョネット I knew Gary and Jack had gone through standards as I had – in the prime of our lives – and they became second nature to us. Like a cocktail pianist knowing two hundred tunes…
Solo Concerts ソロ・コンサーツ Somebody had to come out and say what I said. Solo Concerts was intended to be an injection of the strength of acoustic music, of air, of strings, of breath into the bloodstream of people who buy records. And…
Scattered Words Two Early Statements ずいぶん前に言ったこと You're never in a secure position. You're never at a point where you have it all sewed up. You have to choose to be secure and like stone, or insecure but able to flow." 1 安心安…
Of course, in a group, there is a little room for air occasionally, but the truth of the process is still the same. As a programmer of our sets of standard tunes and a solo improviser over the years, I ended up somehow “programming” even t…
Inside out: Thoughts on free playing by Keith Jarrett インサイド・アウト：「フリープレイ」考察 キース・ジャレット Over three decades ago, in the mid and late sixties, Miles Davis used to show up at clubs where my trio would be performing, …
