about Keith Jarrett and Miles Davis's ensemble

キース・ジャレットの伝記(2020年7月英語版)と、マイルス・デイヴィスの結成したバンドについて、英日対訳で読んでゆきます。でゆきます。

【総集編8】第6章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle 第6章 サークル Some of the free music that was being played [in the sixties] was not just a need to break rules to try new things, but it w…

【総集編7】第5章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

【総集編6】第4章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 4 Interlude 第4章 Musical Rumblings in Chelsea チェルシー:多くの音楽が行き交う The Chick Corea - Dave Holland - Jack DeJohnette trio within Miles D…

【総集編5】第3章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

Chapter 3 Anthony Braxton 第3章 アンソニー・ブラクストン Leroy Jenkins, Musica Elettronica Viva, and the “Peace Church” Concert リロイ・ジェンキンス、ムジカ・エレットロニカ・ヴィヴァ、「ピース・チャーチ」コンサート Another European Adventu…

【総集編4】第2章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 2 “Bitches Brew,” in the Studio and on the Road 第2章 「ビッチェズ・ブリュー」スタジオとライブと With that band we were playing our butts off, every…

【総集編3】第1章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブルについて

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 1 Miles Goes Electric 第1章 マイルス、エレクトリックに For musicians within the world designated “jazz” who sought to expand their horizons, 1969 wa…

【総集編2】序章:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブル

Introduction 序章 One of the most serious problems confronted by jazz historians is that, while recordings offer the only tangible evidence we have of the music's development, some of the most important stages in that development were insu…

【総集編1】筆者について、目次、前書きによせて:マイルス・デイヴィスの「ロストクインテット」と音楽史を変えた各アンサンブル

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) ロバート・グルック著(2016年) Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Mus…

第8章(1)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 7 The Revolutionary Ensemble 第7章 レヴォリューショナリーアンサンブル Musical freedom is relative. The Miles Davis Lost Quintet was a model of a band…

第6章(5/5)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle Endings 活動終了 The life of a touring ensemble is rarely a long-term affair. Circle and the trio that preceded it had a yearlong run, a res…

第6章(4/5)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle 第6章 サークル New Beginnings 新たな取り組みのはじまり (callings) The idea wasn't to start out and play free; the idea was to play this musi…

第6章(3)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle Circle: Open Improvisation and Musical Form (continue) The quartet's approach to collective improvisation demanded everyone's complete atten…

第6章(2)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle The Impact of Marion Brown's “Afternoon of a Georgia Faun” マリオン・ブラウンの「Afternoon of a Goergia Faun」の与えたインパクト One possibl…

第6章(1)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 6 Circle 第6章 サークル Some of the free music that was being played [in the sixties] was not just a need to break rules to try new things, but it w…

第5章(6/6)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第5章(5/6)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第5章(4/6)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第5章(3)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第5章(2)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第5章(1)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 5 Miles Davis's Increasingly Electronic 1970, and a Reflection on His 1971 - 75 Bands 第5章 マイルス・デイヴィス 1970年代の急ピッチな電子楽器の導入と…

第4章(6/6)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

As time went by, Altschul would listen closely to the sounds of the city, the rising and falling of the sounds of the industrial era: 時を重なるうちに、バリー・アルトシュルが耳を傾けるようになったのが、街の音、ビジネスや産業の盛んな地域で…

第4章(5)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

Becoming a Trio トリオができ上がってゆく To form the kind of acoustic trio they had in mind, Holland and Corea needed to identify the right drummer. Corea relates: “We decided that we would like a drummer that could roll with the free form…

第4章(4)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

Meanwhile, Downstairs in Corea's and Holland's Lofts ... 一方、チック・コリアとデイヴ・ホランドの居たロフトの1階では… The jam sessions in Dave Liebman's loft overlapped in time with Chick Corea and Dave Holland's duets in Corea's loft down…

第4章(3)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

Liebman and his circle were profoundly influenced by John Coltrane's landmark collective improvisational work from 1965: “We played completely free in the language of [Coltrane's] Ascension,” the probing, expressive, and at times fiery mus…

第4章(2)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

Chelsea as a Home for Jazz Musicians. ジャズ・ミュージシャン達の拠点としてのチェルシー The neighborhood of Chelsea, between Fourteenth and Twenty-Ninth Streets on the West Side of Manhattan, was an unanticipated home for jazz or other crea…

第4章(1)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 4 Interlude 第4章 Musical Rumblings in Chelsea チェルシー:多くの音楽が行き交う The Chick Corea - Dave Holland - Jack DeJohnette trio within Miles D…

第3章(7/7)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

MEV's Impact ムジカ・エレットロニカ・ヴィヴァの与えた影響 While this configuration of MEV never performed together again, Anthony Braxton and Richard Teitelbaum's musical partnership has continued to this day. Braxton's participation in ME…

第3章(6)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

First Stop: The Brooklyn Academy of Music 最初の公演地:ブルックリン音楽アカデミー The MEV tour was organized by Saul Gottlieb, director of the Radical Theatre Repertory. It was planned around four or five gigs, the fruit of letter writing…

【最終回】Foreword キース・ジャレット"Scattered Words"より

Foreword by Geoff Dyer 前書き ジェフ・ダイアー Duke Ellington died on 24 May 1974. Within days Miles Davis had recorded a tribute, “He Loved Him Madly” (alluding, of course, to Ellington's “Love You Madly"). Across the Atlantic, the poet P…

第3章(5)The Miles Davis Lost Quintet and Other Revolutionary Ensemble

Joining Musica Elettronica Viva ムジカ・エレットリカ・ヴィヴァへの参加 Situated in New York City, Anthony Braxton was adrift. Kunle Mwanga, the entrepreneur who had introduced Braxton and Leroy Jenkins to Ornette Coleman in Paris (but who …