The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 4 Interlude 第４章 Musical Rumblings in Chelsea チェルシー：多くの音楽が行き交う The Chick Corea - Dave Holland - Jack DeJohnette trio within Miles D…
MEV's Impact ムジカ・エレットロニカ・ヴィヴァの与えた影響 While this configuration of MEV never performed together again, Anthony Braxton and Richard Teitelbaum's musical partnership has continued to this day. Braxton's participation in ME…
First Stop: The Brooklyn Academy of Music 最初の公演地：ブルックリン音楽アカデミー The MEV tour was organized by Saul Gottlieb, director of the Radical Theatre Repertory. It was planned around four or five gigs, the fruit of letter writing…
Foreword by Geoff Dyer 前書き ジェフ・ダイアー Duke Ellington died on 24 May 1974. Within days Miles Davis had recorded a tribute, “He Loved Him Madly” (alluding, of course, to Ellington's “Love You Madly"). Across the Atlantic, the poet P…
Joining Musica Elettronica Viva ムジカ・エレットリカ・ヴィヴァへの参加 Situated in New York City, Anthony Braxton was adrift. Kunle Mwanga, the entrepreneur who had introduced Braxton and Leroy Jenkins to Ornette Coleman in Paris (but who …
Mozart If I'm working on Mozart and, over 20 years, Dennis Russell Davies and I learn more and more about each other and how we work together and that we have no work habits that conflict and that the way we relate to Mozart isn't wrong fo…
Bach Correct playing has nothing to do with disputes over style. The first thing to consider is if there's music being made. I can find my release in other fields - I can get music out in so many other ways, and I don't feel I have to make…
Braxton in New York ニューヨークでのブラクストン Although Paris afforded better performance opportunities than Chicago, Braxton decided to return to the United States in late 1969. While returning home might literally mean Chicago, New Yor…
Interdisciplinary Activities I started as a classical pianist, the way all so-called legitimate kids playing the piano start. I was a “crossover” artist when I made my first jazz album. Now I'm living in both worlds, but I keep them separa…
Gurdjieff's Sacred Hymns This was the most appropriate thing for me to record at the time, given that I knew more about it than just the music and also given that I was asked by a member of the London group whether I would do it or not. Th…
Hymns/Spheres / Invocations If I could call everything I did “Hymn” I would, because that's what they are when they're correct. 22 【from The Keith Jarrett Archive June 1984】 Art Lange: You’ve titled a lot of pieces “Hymn,” even though th…
Braxton Meets Musica Elettronica Viva in Belgium ブラクストンとムジカ・エレットロニカ・ヴィヴァとの出会い（ベルギーにて） During the summer of 1969, as Miles Davis was preparing to record Bitches Brew and American rock fans were flocking t…
beat（ビート）、groove（グルーヴ）、vamp（ヴァンプ）を、ネイティブがどう使っているか、次の例文を御覧ください。 ■A groove is a coordination of different rhythms. グルーヴ、とは、異なる複数のリズムが調和を保っている状態のことをいいます。 （…
Jarrett/Peacock/DeJohnette ジャレット／ピーコック／ディジョネット I knew Gary and Jack had gone through standards as I had – in the prime of our lives – and they became second nature to us. Like a cocktail pianist knowing two hundred tunes…
Solo Concerts ソロ・コンサーツ Somebody had to come out and say what I said. Solo Concerts was intended to be an injection of the strength of acoustic music, of air, of strings, of breath into the bloodstream of people who buy records. And…
Scattered Words Two Early Statements ずいぶん前に言ったこと You're never in a secure position. You're never at a point where you have it all sewed up. You have to choose to be secure and like stone, or insecure but able to flow." 1 安心安…
Of course, in a group, there is a little room for air occasionally, but the truth of the process is still the same. As a programmer of our sets of standard tunes and a solo improviser over the years, I ended up somehow “programming” even t…
Inside out: Thoughts on free playing by Keith Jarrett インサイド・アウト：「フリープレイ」考察 キース・ジャレット Over three decades ago, in the mid and late sixties, Miles Davis used to show up at clubs where my trio would be performing, …
Anthony Braxton アンソニー・ブラクストン Anthony Braxton was raised on early rock and roll, as well as the music of the black church, the blues, and rhythm and blues. He discovered jazz as a teenager, and while serving in the army in Seoul…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 3 Anthony Braxton 第3章 アンソニー・ブラクストン Leroy Jenkins, Musica Elettronica Viva, and the “Peace Church” Concert リロイ・ジェンキンス、ムジカ…
Solo without the Vamp － and When the Vamp Changes Shape ソロにおける他のプレーヤーのアドリブでのリフ：アドリブでのリフのあり方が変化する有様 In Berlin on November 7, 1969, the band supports Shorter's solo without any sign of the tune's ch…
“Bitches Brew”: Structure 「Bitches Brew」楽曲の構造（訳注：ここでは「アルバム」と区別） The basic elements of tune “Bitches Brew” remain relatively constant, starting with the recorded version and continuing throughout the live band's per…
Postproduction as a Compositional Process 収録後から発売までの工程：曲作りとしての検証 “Pharaoh's Dance” and “Bitches Brew,” the compositions that open Bitches Brew, are the album's most extended compositions. They are the most densely lay…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 2 “Bitches Brew,” in the Studio and on the Road 第２章 「ビッチェズ・ブリュー」スタジオとライブと With that band we were playing our butts off, every…
All the Pieces in Place: The Davis Band Develops a New Chemistry 適材適所へ：デイヴィスのバンド、新たな化学反応をおこす Jack DeJohnette's presence in the drummer's seat during the band's stand at Duffy's Backstage in Rochester, New York, i…
A New Pianist: Chick Corea 新たなピアノ奏者 チック・コリア Chick Corea was raised in a musical household; his father was Armando Corea, a trumpeter and bassist who played the jazz clubs around their hometown, Boston, and nearby Cape Cod. C…
My favorite example is from the quintet's appearance at the Paris Jazz Festival, held at Salle Pleyel on November 6, 1967. Wayne Shorter's “Masqualero,” a constant on the November 1967 European tour, receives a striking treatment, beginnin…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Chapter 1 Miles Goes Electric 第１章 マイルス、エレクトリックに For musicians within the world designated “jazz” who sought to expand their horizons, 1969 wa…
The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck(2016) Contents Preface Introduction 1. Miles Goes Electric 2. “Bitches Brew,” in the Studio and on the Road 3. Anthony Braxton: Leroy Jenkins, Musica Elettronica V…
Introduction 序章 One of the most serious problems confronted by jazz historians is that, while recordings offer the only tangible evidence we have of the music's development, some of the most important stages in that development were insu…
